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The 1854 Wyoming historical drama is based on Tom Shell’s adaptation of the true life memoirs of Pony Express rider Nick Wilson.
River Miller, a mentally unstable actor haunted by the past, moves to Hollywood to start his life over, only to find his inner demons are inescapable.
Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.
Jenny (Lynn Chen, Saving Face, Go Back To China), a Los Angeles mom, leaves her family for a blogger convention in Vegas, and accidentally chooses “pool” on her rideshare app, placing her in a car full of strangers including struggling activist Kara (Dreama Walker, Once Upon a Time in Hollywood, Gran Torino), heartbroken talent agent Sean (Jonathan Lipnicki, The Resident, Jerry Maguire) on a quest to find Dawn (Taryn Manning, Orange is the New Black, Hustle and Flow), and their hipster/anarchist/shaman driver, Marc (Jordan Carlos, First Wives Club, Broad City). Personalities clash, vulnerabilities unwind, and bonds form as they each find their own personal Paradise. Full of humor, heart, pathos and a psilocybin drug trip in Death Valley, Jentis’ script is a relatable millennial road trip rom-com perfect for summer.
Bus driver Stan Butler agrees to marry Suzy, much to the anguish of Mum, her son-in-law, Arthur, and daughter Olive. How, they wonder, will they ever manage without Stan’s money coming in? Then Arthur is sacked, and Stan agrees to delay the wedding. Meanwhile, he hits on an idea: Arthur should learn to drive a bus. Somehow he does just that, and even gets a job. Stan then blackmails the Depot Manager into giving him the job of driver on the new money-making Special Tours Bus. A great idea …if only the inspector hadn’t taken Stan on his trial run to the Windsor Safari Park
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
The village of L’Espérance is perched between the mountains and the great river. Its inhabitants include young people – who don’t have much of a future – as well as many widows and old men. The village continues to be haunted by the tragic death of 13 miners. One day, a stranger arrives. The young man, at once charming and mysterious, has an immediate effect upon the village. The longer he stays in the village, the stronger blow the winds of desire. The village’s prevailing melancholy gives way to love and happiness. However, not everyone is pleased by the arrival of the stranger, who becomes more and more inquisitive about the tragedy of the old mine. What are his real motives? Is he really who he claims to be? As passion and doubt collide, the entire village is transformed by events which come crashing down like waves against the high cliffs.
